Learn more about the FD1N | FD2N | FD3N - https://babelson.com - #AAX #AU #VST

The FD modules are technically two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.

✮DRIVER: The driver is adding a very subtle and pleasing harmonic distortion to the signal. This ends up boosting the harmonics above the normal range you expect to hear which creates a sense of fullness. When an entire song has each track featuring this warmth, you get an extremely full sound.
✮HIGH: Determines the high frequency,
✮HIGH GAIN: Boosting high frequency level,
✮LOW: Determines the low frequency,
✮LOW GAIN: Boosting low frequency level,
----------
Say hi in the comments, or:
Twitter - https://twitter.com/BabelsonA
Facebook - https://www.facebook.com/babelsonaudio/
Instagram - http://instagram.com/babelsonaudio
✮ Subscribe to this channel - https://www.youtube.com/channel/UCEcP1TQKEpnqAyY0d1hAezA ✮
...and click the "notification bell" to keep looped 🙂

Learn more about the FD1N | FD2N | FD3N - https://babelson.com - #AAX #AU #VST

The FD modules are technically two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.

✮DRIVER: The driver is adding a very subtle and pleasing harmonic distortion to the signal. This ends up boosting the harmonics above the normal range you expect to hear which creates a sense of fullness. When an entire song has each track featuring this warmth, you get an extremely full sound.
✮HIGH: Determines the high frequency,
✮HIGH GAIN: Boosting high frequency level,
✮LOW: Determines the low frequency,
✮LOW GAIN: Boosting low frequency level,

Song: Our love is here to stay
----------
Say hi in the comments, or:
Twitter - https://twitter.com/BabelsonA
Facebook - https://www.facebook.com/babelsonaudio/
Instagram - http://instagram.com/babelsonaudio
✮ Subscribe to this channel - https://www.youtube.com/channel/UCEcP1TQKEpnqAyY0d1hAezA ✮
...and click the "notification bell" to keep looped 🙂

Learn more about the FD1N | FD2N | FD3N - https://babelson.com - #AAX #AU #VST

The FD modules are technically two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.

✮DRIVER: The driver is adding a very subtle and pleasing harmonic distortion to the signal. This ends up boosting the harmonics above the normal range you expect to hear which creates a sense of fullness. When an entire song has each track featuring this warmth, you get an extremely full sound.
✮HIGH: Determines the high frequency,
✮HIGH GAIN: Boosting high frequency level,
✮LOW: Determines the low frequency,
✮LOW GAIN: Boosting low frequency level,
----------
Say hi in the comments, or:
Twitter - https://twitter.com/BabelsonA
Facebook - https://www.facebook.com/babelsonaudio/
Instagram - http://instagram.com/babelsonaudio
✮ Subscribe to this channel - https://www.youtube.com/channel/UCEcP1TQKEpnqAyY0d1hAezA ✮
...and click the "notification bell" to keep looped 🙂

#AAX #AU #VST3 #Babelson
The Level Control is an advanced mix monitoring plug-in with a volume control, selection channels (stereo | Left | Right), DIM and level metering.
▪ RMS-based scales with an integrated sample peak meters,
▪ Easy to use GUI,
▪ Mute function,
▪ 64-bit internal processing,

https://babelson.com

Learn more about the FD1N | FD2N | FD3N - https://babelson.com - #AAX #AU #VST

The FD modules are technically two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.

✮DRIVER: The driver is adding a very subtle and pleasing harmonic distortion to the signal. This ends up boosting the harmonics above the normal range you expect to hear which creates a sense of fullness. When an entire song has each track featuring this warmth, you get an extremely full sound.
✮HIGH: Determines the high frequency,
✮HIGH GAIN: Boosting high frequency level,
✮LOW: Determines the low frequency,
✮LOW GAIN: Boosting low frequency level,
----------
Say hi in the comments, or:
Twitter - https://twitter.com/BabelsonA
Facebook - https://www.facebook.com/babelsonaudio/
Instagram - http://instagram.com/babelsonaudio
✮ Subscribe to this channel - https://www.youtube.com/channel/UCEcP1TQKEpnqAyY0d1hAezA ✮
...and click the "notification bell" to keep looped 🙂

Learn more about the BeComp https://babelson.com - #AAX #AU #VST

Smoothness and transparency.
BeComp is a dynamics processor that will change the way you use and think about compressors and compression. The inherently rich and colorful tone of the BeComp helps glue tracks together.

✮Based: Transformer-coupled circuits, Bridge-driver,
✮Controls dynamics without introducing obvious simply artifacts,
✮A built-in limiter with fast setting,
✮Controls dynamics without compulsively changing the original sound,
FEATURES
✮Attack/Release: achieve excellent results,
✮Optical characteristic when THRSHLD fully rotated CCW(“aggressiveness”),
✮Ratio settings from 1:1 to 20:1,
✮Soft knee,
✮Limit and compress level (gain make up),
✮Meters: GR, VU in, VU Out,
✮Stereo Link: panning to hard left and hard right respectively,
----------
Say hi in the comments, or:
Twitter - https://twitter.com/BabelsonA
Facebook - https://www.facebook.com/babelsonaudio/
Instagram - http://instagram.com/babelsonaudio
✮ Subscribe to this channel - https://www.youtube.com/channel/UCEcP1TQKEpnqAyY0d1hAezA ✮
...and click the "notification bell" to keep looped 🙂

#AAX #AU #VST3 #Babelsonaudio
https://babelson.com
Smoothness and transparency.
BeComp is a dynamics processor that will change the way you use and think about compressors and compression.
The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.
- Based: Transformer-coupled circuits, Bridge-driver,
- Controls dynamics without introducing obvious simply artifacts,
- A built-in limiter with fast setting,
- Controls dynamics without compulsively changing the original sound,
FEATURES
- Attack/Release: achieve excellent results,
- Optical characteristic when THRSHLD fully rotated CCW(“aggressiveness”),
- Ratio settings from 1:1 to 20:1,
- Soft knee,
- Limit and compress level (gain make up),
- Meters: GR, VU in, VU Out,
- Stereo Link: panning to hard left and hard right respectively,

#AAX #AU #VST3 #Babelsonaudio
https://babelson.com
Smoothness and transparency.
BeComp is a dynamics processor that will change the way you use and think about compressors and compression.
The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.
- Based: Transformer-coupled circuits, Bridge-driver,
- Controls dynamics without introducing obvious simply artifacts,
- A built-in limiter with fast setting,
- Controls dynamics without compulsively changing the original sound,
FEATURES
- Attack/Release: achieve excellent results,
- Optical characteristic when THRSHLD fully rotated CCW(“aggressiveness”),
- Ratio settings from 1:1 to 20:1,
- Soft knee,
- Limit and compress level (gain make up),
- Meters: GR, VU in, VU Out,
- Stereo Link: panning to hard left and hard right respectively,

#AAX #AU #VST3 #Babelsonaudio
https://babelson.com
Smoothness and transparency.
BeComp is a dynamics processor that will change the way you use and think about compressors and compression.
The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.
- Based: Transformer-coupled circuits, Bridge-driver,
- Controls dynamics without introducing obvious simply artifacts,
- A built-in limiter with fast setting,
- Controls dynamics without compulsively changing the original sound,
FEATURES
- Attack/Release: achieve excellent results,
- Optical characteristic when THRSHLD fully rotated CCW(“aggressiveness”),
- Ratio settings from 1:1 to 20:1,
- Soft knee,
- Limit and compress level (gain make up),
- Meters: GR, VU in, VU Out,
- Stereo Link: panning to hard left and hard right respectively,

#AAX #AU #VST3 #Babelsonaudio
https://babelson.com
Smoothness and transparency.
BeComp is a dynamics processor that will change the way you use and think about compressors and compression.
The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.
- Based: Transformer-coupled circuits, Bridge-driver,
- Controls dynamics without introducing obvious simply artifacts,
- A built-in limiter with fast setting,
- Controls dynamics without compulsively changing the original sound,
FEATURES
- Attack/Release: achieve excellent results,
- Optical characteristic when THRSHLD fully rotated CCW(“aggressiveness”),
- Ratio settings from 1:1 to 20:1,
- Soft knee,
- Limit and compress level (gain make up),
- Meters: GR, VU in, VU Out,
- Stereo Link: panning to hard left and hard right respectively,

#AAX #AU #VST3 https://babelson.com
H.L.S DRIVE: Uniqueness Saturator plug-in
Tubby or not to be!
"It’s all about inspiration not emulation"
H.L.S Drive is based closely on the Type 69 EQ which is very musical. It’ll be a secret weapon of your sessions!

- Saturate and produce harmonics,
- Adds distortion characteristics and warmth,
- British transformer sound,

There are many factors that combine to create character in recording and mixing, ranging from instruments, VI instruments, musicians, performances, through the room and mic used, to the preamps, processors and effects!

- DRIVER does add harmonics in the form of rich harmonic variation of the frequencies.
- Flexible control of low and high frequencies.
- The hi boost is fixed at 10KHz but the attenuation is stepped for repeatability.
- Lo boost is inductive and is continuously variable at a range of pre-set frequencies.

#AAX #AU #VST3 https://babelson.com
H.L.S DRIVE: Uniqueness Saturator plug-in
Tubby or not to be!
"It’s all about inspiration not emulation"
H.L.S Drive is based closely on the Type 69 EQ which is very musical. It’ll be a secret weapon of your sessions!

- Saturate and produce harmonics,
- Adds distortion characteristics and warmth,
- British transformer sound,

There are many factors that combine to create character in recording and mixing, ranging from instruments, VI instruments, musicians, performances, through the room and mic used, to the preamps, processors and effects!

- DRIVER does add harmonics in the form of rich harmonic variation of the frequencies.
- Flexible control of low and high frequencies.
- The hi boost is fixed at 10KHz but the attenuation is stepped for repeatability.
- Lo boost is inductive and is continuously variable at a range of pre-set frequencies.

#AAX #AU #VST3 https://babelson.com
H.L.S DRIVE: Uniqueness Saturator plug-in
Tubby or not to be!
"It’s all about inspiration not emulation"
H.L.S Drive is based closely on the Type 69 EQ which is very musical. It’ll be a secret weapon of your sessions!

- Saturate and produce harmonics,
- Adds distortion characteristics and warmth,
- British transformer sound,

There are many factors that combine to create character in recording and mixing, ranging from instruments, VI instruments, musicians, performances, through the room and mic used, to the preamps, processors and effects!

- DRIVER does add harmonics in the form of rich harmonic variation of the frequencies.
- Flexible control of low and high frequencies.
- The hi boost is fixed at 10KHz but the attenuation is stepped for repeatability.
- Lo boost is inductive and is continuously variable at a range of pre-set frequencies.

#AAX #AU #VST3 https://babelson.com
H.L.S DRIVE: Uniqueness Saturator plug-in
Tubby or not to be!
"It’s all about inspiration not emulation"
H.L.S Drive is based closely on the Type 69 EQ which is very musical. It’ll be a secret weapon of your sessions!

- Saturate and produce harmonics,
- Adds distortion characteristics and warmth,
- British transformer sound,

There are many factors that combine to create character in recording and mixing, ranging from instruments, VI instruments, musicians, performances, through the room and mic used, to the preamps, processors and effects!

- DRIVER does add harmonics in the form of rich harmonic variation of the frequencies.
- Flexible control of low and high frequencies.
- The hi boost is fixed at 10KHz but the attenuation is stepped for repeatability.
- Lo boost is inductive and is continuously variable at a range of pre-set frequencies.

#AAX #AU #VST https://babelson.com/
Gistortion is a unique bass/guitar effect. It will add colour and flavour to your guitar and bass. It will also enhance the place of your guitar and bass in your mixes. Download a demo and try it out
whether you are playing! punk, jazz, metal, rock or folk....
https://babelson.com/
- Scalable GUI,
- Retina support,
- DSP optimisation!

#AAX #AU #VST https://babelson.com/
Gistortion is a unique bass/guitar effect. It will add colour and flavour to your guitar and bass. It will also enhance the place of your guitar and bass in your mixes.
Download a demo and try it out

- Scalable GUI,
- Retina support,
- DSP optimisation!
Artist: Bernard O'neill

#AAX #AU #VST https://babelson.com/
Gistortion is a unique bass/guitar effect. It will add colour and flavour to your guitar and bass. It will also enhance the place of your guitar and bass in your mixes. Download a demo and try it out
whether you are playing! punk, jazz, metal, rock or folk....
https://babelson.com/
- Scalable GUI,
- Retina support,
- DSP optimisation!
Artist: Bernard O'neill

#AAX #AU #VST https://babelson.com/
Gistortion is a unique bass/guitar effect. It will add colour and flavour to your guitar and bass. It will also enhance the place of your guitar and bass in your mixes. Download a demo and try it out
whether you are playing! punk, jazz, metal, rock or folk....
https://babelson.com/
- Scalable GUI,
- Retina support,
- DSP optimisation!
Artist: Bernard O'neill

#Babelson #AAX #AU #VST3 https://babelson.com
FD2N:
The FD2N is technically a two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.

C-78:
C-78 is a new transparent Compressor and Limiter. it does a great job at controlling and smoothing everything out…
- controls dynamics without introducing obvious simply artifacts,
- clear compression,
- you can control dynamics without compulsively changing the original sound,

FEATURES
- Easy-to-use GUI,
- Attack/Recovery : achieve excellent results,
- Ratio settings from 1:1 to 20:1,
- Soft knee,
- Broadcast quality Limiter,
- Meters: GR, VU in, VU Out,
- Stereo Link: panning to hard left and hard right respectively,

#AAX #AU #VST3
FD2N:
The FD2N is technically a two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.

C-78:
C-78 is a new transparent Compressor and Limiter. it does a great job at controlling and smoothing everything out…
Broadcast quality!
- controls dynamics without introducing obvious simply artifacts,
- clear compression,
- you can control dynamics without compulsively changing the original sound,

FEATURES
- Easy-to-use GUI,
- Attack/Recovery : achieve excellent results,
- Ratio settings from 1:1 to 20:1,
- SideChain,
- Soft knee,
- Broadcast quality Limiter,
- Meters: GR, VU in, VU Out,
- Stereo Link: panning to hard left and hard right respectively,

#Babelson #AAX #AU #VST #Babelson_Audio
FD2N “Fullness Tube EQ and Tube Saturator"

FD2N [Russian Edition]
The FD2N is technically a two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.
its unique sonic quality and EQ curves the FD2N is great for adding warmth and sparkle to drum, guitars, bass, voice and the stereo buss.
HIGH: Determines the high frequency,
HIGH GAIN: Boosting high frequency level,
LOW: Determines the low frequency,
LOW GAIN: Boosting low frequency level,
DRIVER: The driver is adding a very subtle and pleasing harmonic distortion to the signal. This ends up boosting the harmonics above the normal range you expect to hear which creates a sense of fullness. When an entire song has each track featuring this warmth, you get an extremely full sound.

Music: "My Soul"
by Matter

#AAX #AU #VST
FD2N [Russian Edition]

The FD2N is technically a two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.
its unique sonic quality and EQ curves the FD2N is great for adding warmth and sparkle to drum, guitars, bass, voice and the stereo buss.
HIGH: Determines the high frequency,
HIGH GAIN: Boosting high frequency level,
LOW: Determines the low frequency,
LOW GAIN: Boosting low frequency level,
DRIVER: The driver is adding a very subtle and pleasing harmonic distortion to the signal. This ends up boosting the harmonics above the normal range you expect to hear which creates a sense of fullness. When an entire song has each track featuring this warmth, you get an extremely full sound.
https://babelson.com

#Babelson #AAX #AU #VST3
FD2N:
The FD2N is technically a two-band EQ with low-shelf and high-shelf controls. it’s possible that you can create unique and musical EQ curves.
its unique sonic quality and EQ curves the FD2N is great for adding warmth and sparkle to drum, guitars, bass, voice and the stereo buss.

FEATURES:
– 2-band Tube equalizer [Class A],
– Low: shelving, typical Boost/Cut controls,
– High: shelving, stepped frequency controls,
– Drive: Boosting harmonics,,
DRIVER: The driver is adding a very subtle and pleasing harmonic distortion to the signal. This ends up boosting the harmonics above the normal range you expect to hear which creates a sense of fullness. When an entire song has each track featuring this warmth, you get an extremely full sound.

#AAX #AU #VST3
“FULLNESS TUBE EQUALIZER"
HIGH: Determines the high frequency.
HIGH GAIN: Boosting high frequency level.
BASS: Determines the low frequency.
BASS GAIN: Boosting low frequency level.
DRIVER: The driver is adding a very subtle and pleasing harmonic distortion to the signal. This ends up boosting the harmonics above the normal range you expect to hear which creates a sense of fullness. When an entire song has each track featuring this warmth, you get an extremely full sound.

#AAX #AU #VST3
FD2N is a Tube EQ and TUBE Saturation Plug-in...
The secret weapon to pro sounding records

#AAX #AU #VST
a Simple Compressor!
Coming soon... Stay Tuned!

#AAX #AU #VST3 https://babelson.com
The B-Comp is a Stereo Compressor and it was originally designed after testing many vintage diode bridge compressors.
The Vintage/Modern options vary the attack and release characteristics of the processor and will vary the ‘colour’ of the output. Switch between them to hear the difference and select what works for you. This switch has more to do with ‘colour’ or ‘feel’ of the sound.

Note: The B-Comp does not introduce ‘hiss’ or ‘analog noise’ when in the ‘analog’ mode.
- Smooth Stereo Compressor,
- it's the distortion it generates and this creates the harmonics,
- Pre Gain option,
- it allows you to control the gain of the whole signal without clipping,
- The Vintage/Modern options,
- It can be used for all types of mixing, whether it be music, live sound or film audio,
https://babelson.com/product/b-comp/?v=11aedd0e4327

#AAX #AU #VST
User Tutorials Part I: EMRH
In this video series, producer EMRH shows how to use FD2N

Enjoy!

#AAX #AU #VST
User Tutorials Part I: EMRH
In this video series, producer EMRH shows how to use FD2N and C-78

Enjoy!

#AAX #AU #VST3
The B-Comp is a Stereo Compressor and it was originally designed after testing many vintage diode bridge compressors.
The Vintage/Modern options vary the attack and release characteristics of the processor and will vary the ‘colour’ of the output. Switch between them to hear the difference and select what works for you. This switch has more to do with ‘colour’ or ‘feel’ of the sound.

Note: The B-Comp does not introduce ‘hiss’ or ‘analog noise’ when in the ‘vintage’ mode.
Smooth Stereo Compressor,

- it’s the distortion it generates and this creates the harmonics,
- Pre Gain option, it allows you to control the gain of the whole signal without clipping,
- The Vintage/Modern options,
- It can be used for all types of mixing, whether it be music, live sound or film audio,

Free Filter EQ

#Pro Tools #Audio Plugin #Logic Pro #StudioOne #Babelson #Dimension Sound
The Proxima D is a legendary audio effect and it’s a natural sounding chorus. If you want more dimension sound so here it is. It’s great for synths, keyboards, guitars in particular. I guess the most powerful and thick chorus you have ever heard.

#Dimension-D #Roland #Pro Tools #Logic Pro #Studio One #Ableton Live #Cubase
The Proxima D is a legendary audio effect and it’s a natural sounding chorus. If you want more dimension sound so here it is. It’s great for synths, keyboards, guitars in particular. I guess the most powerful and thick chorus you have ever heard.
Style Roland Dimension-D...

#AAX #AU #VST3 #HEAT #Saturator #HarmonicDistortion
BaB Drive (Saturator)
Get the warmth and sonic character of analog “ITB” with BaB Drive...
BaB Drive is an analog warmth and character plug-in…. Super easy to use it! You’ll feel the difference on your vocals, guitars, basses, drums and many others… The BaB Drive on your master buss will change the warm of your mix.

#AAX #AU #VST3 #HEAT #Saturator #Harmonic Distortion
BaB Drive (Saturator)
Get the warmth and sonic character of analog “ITB” with BaB Drive...
BaB Drive is an analog warmth and character plug-in…. Super easy to use it! You’ll feel the difference on your vocals, guitars, basses, drums and many others… The BaB Drive on your master buss will change the warm of your mix

#AAX #AU #VST3 #HEAT #Saturator #Harmonic Distortion
BaB Drive (Saturator)
Get the warmth and sonic character of analog “ITB” with BaB Drive...
BaB Drive is an analog warmth and character plug-in…. Super easy to use it! You’ll feel the difference on your vocals, guitars, basses, drums and many others… The BaB Drive on your master buss will change the warm of your mix

#Saturator #Heat #Harmonic
BaB Drive is an analog warmth and character plug-in!
Super easy to use it! You’ll feel the difference on your vocals, guitars, basses, drums and many others.

The BaB Drive on your master buss will change the warm of your mix.

A special feature of the BBCMP is that it enables the operator to split the incoming signal using the Low Pass and High Pass filters. These then allow you to apply processing (compression, limiting, expansion and gate) to each band independently. Once each band has been processed, the following signal pathway shows you how the separate bands are then summed to produce the final output.

The great advantage of processing in this way is that you have full control over the extent to which the 2 bands are processed rather than only the summed signal being processed. This means that if, for example, the low end is strong and pushing the compressor to attenuate the signal when it comes into play, in a standard compressor the higher frequencies would also be compressed at these times. With the BBCMP you can separately control the low end and leave the high end relatively unprocessed, if that is what you need, or conversely deal with the high end and leave the low end with lesser processing.

The Analog/Digital options vary the attack and release characteristics of the processor and will vary the ‘colour’ of the output. Switch between them to hear the difference and select what works for you. You will notice that the actual Attack and Release times are fully controllable for each band. This switch has more to do with ‘colour’ or ‘feel’ of the sound.

Note: The BBCMP does not introduce ‘hiss’ or ‘analog noise’ when in the ‘analog’ mode.
https://babelson.com
#AAX #AU #VST3

A special feature of the BBCMP is that it enables the operator to split the incoming signal using the Low Pass and High Pass filters. These then allow you to apply processing (compression, limiting, expansion and gate) to each band independently. Once each band has been processed, the following signal pathway shows you how the separate bands are then summed to produce the final output.

The great advantage of processing in this way is that you have full control over the extent to which the 2 bands are processed rather than only the summed signal being processed. This means that if, for example, the low end is strong and pushing the compressor to attenuate the signal when it comes into play, in a standard compressor the higher frequencies would also be compressed at these times. With the BBCMP you can separately control the low end and leave the high end relatively unprocessed, if that is what you need, or conversely deal with the high end and leave the low end with lesser processing.

The Analog/Digital options vary the attack and release characteristics of the processor and will vary the ‘colour’ of the output. Switch between them to hear the difference and select what works for you. You will notice that the actual Attack and Release times are fully controllable for each band. This switch has more to do with ‘colour’ or ‘feel’ of the sound.

Note: The BBCMP does not introduce ‘hiss’ or ‘analog noise’ when in the ‘analog’ mode.
https://babelson.com
#AAX #AU #VST3